Coda staffing9/19/2023 ![]() ![]() About 75 people were out making the rounds outside Fox Studios shortly after 9 a.m. Precipitation in Los Angeles didn’t stop striking writers from turning out in force at key picket locations on the third day of the work stoppage against Hollywood’s major employers. (Pictured top: “Jeopardy” writers Michele Loud, Jim Rhine and Billy Wisse) DAY 3 (May 4) And so the universal realization of where this industry is headed has made this a much more united fight.” They’re trying to do that with actors, they’re trying to do that with directors and with crew members. They’re not just trying to do that with writers. They’re trying to turn Hollywood into Uber. They’re trying to turn Hollywood work into pay-by-the-day, or maybe paid by the week with no guarantees. “The corporations are trying to turn Hollywood work into gig work. This is a fight that we’re all going through to greater extent,” Meighan said as he walked the line around Amazon. “I really feel like the entire town is united in this fight. The climate in industry labor circles is very different this time around, he said. Patrick Meighan, a longtime writer-producer on Fox’s “Family Guy,” echoed the sentiments of many WGA veterans who were active as strike captains and organizers during the 2007-08 strike. AI, the minimum staffing and guaranteed weeks, the demands of feature writers who are fed up with pressure for unpaid rewrites. ![]() WGA members are plainly angry at the issues that AMPTP did not address or make counter offers on after weeks at the negotiating table. Across the dozen picket sites, writers have focused on the loss of opportunity for young writers breaking in and the threat that poses to the profession’s long-term future. Honks and shouts were heard steadily but otherwise the pickets were pretty quiet in the first few hours of the morning.įour days in, resolve among WGA members is clearly strong. A sprinkling of security guards in the area bordered by the Culver Steps outdoor shopping and dining area kept a close eye on WGA pickets and Amazon’s property line. “There was always some sense that writers were partners in it.”ĭown the street and around the corner, WGA West volunteers Victoria and Chris worked behind a folding table stacked with water and snacks to fuel the line that snaked in a V-shape down Ince Avenue and Washington Boulevard, around the entrances to Amazon properties. “They never tried to make it a gig economy before,” Wisse said. “They’re asking some people to work day-to-day,” Rhine said, noting that he’s heard chapter and verse in recent days from fellow WGA members about mini room experiences. But they see the bigger threat posed by the structural changes afoot in the television business. The trio were quick to emphasize their good fortune to be employed for so long by a stable, year-round show. Wisse’s view is that the strike is part of a larger fight for the matter of being “fairly compensated for the labor you give,” he said. Without us it’s just an empty blue screen.” “Our words are on the screen every night,” Loud told Variety. ![]()
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